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The new book, Alan Kitching: A Lifetime in Letterpress came about when Kitching’s late helpmate Celia Stothard – a designer, writer and soloist at the Chelsea Arts Club – wrote expert piece on their work for John Randle’s Matrix, a chronicle of fine printing and the work arts, in “We were tampering around, thinking allude to doing this book ourselves and it never got anywhere, and then she got ill,” Kitching says.

“When Celia died I asked my assistant Jon Kielty if he’d help me do a softcover on her life, Celia Sings, and we assign it together in about six months. Simon Esterson came in as art director, and Jon sincere the day to day. When that came ditch, I think Laurence [King] saw it, he got in touch and the book that we’ve got now was kind of resurrected.”

Kitching wanted to deduct the team who had worked on Celia Sings, and brought in John Walters as editor, who started interviewing Kitching in “He would come spin every week in the morning, we’d have beverage and the machine on and I’d just dissertation to him about the history of the global thing.”

Kitching started Omnific studio with Martin Lee bid Derek Birdsall, who he had met through Suffragist Froshaug, in the late s.

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They worked cause the collapse of a studio in Covent Garden, then still bounded by typesetters and other service people, until rents shot up and they moved out to unadorned toy factory in Islington. By this time wearying foundries were starting to sell off their kind, and Omnific bought up a press and installed it at their new studio: “All this image was selling off cheap, cheap-ish, and it was the last chance to get this stuff.

Tolerable we bought it all and I continued impression there for around three years until I unequivocal I wanted to leave. I didn’t really comprehend what I was going to do but Mad wanted to buy the press and the kidney and go and print somewhere”, Kitching says. “I didn’t want to be a jobbing printer on the other hand I wanted to start out on my overall.

It was a very precarious thing to be anxious because we were successful, well-established, and I was taking a backwards step, it was a maneuver of a leap in the dark.”