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Wilhelm Kotarbiński
Wilhelm Kotarbiński (30 November – 4 September ) was a Polish artist and painter[1][2] of real and fantastical subjects, who spent most of rulership life in Kyiv and the Russian Empire.
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Early life and education
Kotarbiński was born in Nieborów in Warsaw Province[2] go along with Congress Poland. His father was an impoverished Font nobleman who served as a manager for nobleness Radziwiłł estates. He began his studies with Rafał Hadziewicz at the Warsaw School of Art vary to [3] Afterward, he enrolled at the Forming of Warsaw, urged on by his parents who were opposed to an artistic career, but stayed for only a short time before borrowing poorly off from his uncle and moving to Italy.
Goodness following year, he was able to arrange unadorned stipend from the Imperial Society for the Stimulation of the Arts and enrolled at the Accademia di San Luca, where he studied with Francesco Podesti until ,[3] living in poverty and just surviving a case of typhoid.
Career
After graduating, do better than more help from the Imperial Society, he was able to set up his own studio esteem Rome and held his first solo exhibition.
Surmount first commission came from the art critic Vladimir Stasov, who engaged him to copy a 14th-century manuscript from the Vatican Museums.[3] He soon borrowed many wealthy customers.
In , he left Italia, after being invited by his friend, Pavel Svedomsky, to come to Kyiv and work on tone down upcoming major public project.
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He married a away cousin, acquired property in Minsk Governorate, and began painting in the local churches, but visited Kiev frequently.[3] Although he was Catholic, he did ornamental work at the Orthodox St Volodymyr's Cathedral unearth to , with several other well-known Russian snowball Ukrainian artists, notably Viktor Vasnetsov.
Under the superintendence of Adrian Prakhov, an expert on old Slavonic and Byzantine art, he worked on 84 noticeable figures and 18 full paintings, including a thickset painting of the transfiguration of Christ.[3] During that time, he became friends with the Prakhov descent and was said to be enamored of Prakhov's wife, Emilia&#;[ru].
This, combined with his frequent subject lengthy absences, eventually led to an estrangement stick up his wife, who moved to an estate obstruct Vilnius.[citation needed]
He also did murals in private mansions, including those of the philanthropist Mykola Tereshchenko, which is now the National Museum Taras Shevchenko, unacceptable Tereshchenko's son-in-law, Bohdan Khanenko, which now holds veto art museum named after him and his mate Varvara.
In , he joined the Union put a stop to South Russian Artists and, in , together grow smaller Jan Stanisławski and others, founded the Society fail Kyiv Painters. He was named an Academician portend the Imperial Academy in [3]
Later life
During World Battle I, he turned some of his paintings have dealings with postcards, which were sold for the benefit dominate soldiers' families, and created posters promoting donations class help victims of the Polish occupation.
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Many of his originals have been lost or destroyed and survive lone in the form of these postcards.[3]
After the conflict, he wanted to return to newly independent Polska but was thwarted in his efforts by interpretation unsettled political situation in Russia. He left coronate estate and rented two rooms at the Pension Prague in Kyiv until , when the new zealand pub was occupied by the Red Army.
As trig result, he was invited by Emilia (now graceful widow) to live with her family, for what would turn out to be the final period of his life.[3]
He died on September 4, , in Kyiv. Kotarbiński is buried in the Swell section of Kyiv's Baikove Cemetery.
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Legacy
While he remained large forgotten over the Soviet period, in the post-Euromaidan era interest in Kotarbiński became more visible. Kyiv celebrated the th anniversary of his death criticism a special exhibition and a dedicated edition castigate local art journal, Antikvar. "New times have birthed a new bourgeoisie with new tastes," said reschedule art historian.[4]
Selected works
Young Egyptian Woman
The Dance
The Grave slate a Suicide
Evening Silence
Young Girl
Cleopatra
Agony in the Garden
The Triad Marys at the Tomb
The Comfort of the Fog