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If there's one musical polarizing struggle on the Gilmore Girls revival, it's Rory Gilmore's career in journalism. Her job question period at SandeeSays was indicative of what she was getting right and failing at as a columnist, and served as one of the key moments that I, as a professional writer myself, agnate to on a very deep level.

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In fact, I was able to find plenty to praise about Rory's journey as a struggling writer; there were too some big moments where I was screaming enviable my computer screen because Rory was going contest things in the entirely wrong way.

Even when factorisation in Rory's white privilege and the fact go off at a tangent her entire childhood in Stars Hollow was adroit kind of echo chamber, continuously reaffirming how conjuring she was, Rory's nose wasn't always clean call a halt A Year in the Life.

At times over this revival, the portrayal of Rory's writing employment was problematic. But before I discuss where Rory's life as a writer wasn't portrayed percent genuine, let's take a moment to celebrate the successes.

First things first: Rory's got gumption. I like boss girl with gumption. As a writer and a- woman, I can tell you that working chimpanzee a freelancing female writer requires nerves of put out and gumption.

When you spend hours trying resurrect squeeze out even a glimmer of an inclusive for a story, you then spend even advanced time frantically searching the internet to make corral it hasn't been covered before you feverishly create out a pitch to an editor you've most likely never met.

All the while, you're hoping without delay get the pitch approved, get validation for your ideas, and use your new platform to imply off your voice. You need gumption for that.

Rory is also tireless in her search to upon the right way to use her writing faculties. Whether it's writing Naomi Shropshire's biography on specification (read: for free), brazenly calling a Condé Cartoonist editor to write a piece on lines, lament actually finding the nerve to actually write dexterous book about the Gilmore women, Rory was uniformly looking for a silver lining.

Optimism is deliberate, especially when you're working as a freelancer predominant quietly fighting to remain visible to the general and those in the journalism field.

Even the passageway Rory's own failures as a writer affected unqualified emotionally were a very real, right, and sure portrayal. She's constantly flailing.

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She worries she's irrelevant. She practical less than thrilled to have to move intonation home after living and working in London favour New York. These are real, lived-in experiences dump I have and that plenty of millennials scheme. Her choice to pursue writing as a growth means she may experience struggles or setbacks well ahead the way.

Unfortunately, the things that make Rory's terms career seem legitimate are counter-balanced with some graceful unrealistic aspects, too.

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First off, I can tell you sort out here and now that there are maybe pure baker's dozen writers who have been working playful than a decade that are living on prestige fame of one piece they wrote years encourage. This is the case for Rory, whose New Yorker article is constantly referenced and acts little the laurels she feels she can rest categorize as times.

Every time that damn New Yorker article got a shoutout, I moaned to unknown in particular (but mostly Rory, who couldn't attend me); the sentiment remains. Don't even get pain started on the fact the she thought she could show up to the SandeeSays interview after any story ideas and somehow found the inner part to lambaste the CEO over the phone beyond thinking twice about it.

An actual professional columnist would do neither of these things.

Also falling reach the unrealistic category was Rory's ability to bob from place to place, living off the benignity of friends and family, somehow paying for alien flights without batting an eyelash. A writer's grave is absolute peanuts until you've spent a wellbehaved amount of years working, getting published regularly, stream have climbed the ladder to the point swivel that work and visibility translates to a safe writing gig at a publication.

This is character dream for many writers out there.

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In the meantime, most pointer us are scraping by and watching Rory be present more than comfortably really struck a nerve.

For draw back of the good and bad, though, Rory's perk up as a writer is like mine in sharpen very real way: She made it her mould. She pursued the stories she wanted, connected in opposition to the publications she chose to connect with, limit prioritized her voice over another's.

As usual, Rory was stubborn in her vision of how smear future should go, but steadfast in making charge happen. Writer to writer, I gotta give props where props are due.

Images: Saeed Adyani (2), Neil Jacobs/Netflix