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American painter (–)

Amaranth Roslyn Ehrenhalt
Born	Roslyn Ehrenhalt ()January 15, Newark, New Jersey, U.S.
Died	March 16, () (aged&#;93) Manhattan, New York, U.S.
Nationality	American
Education	University of the Arts (Philadelphia), Colony Academy of the Fine Arts, University of Penn, Barnes Foundation
Known&#;for	Painting
Movement	Abstract expressionism
Patron(s)	Sonia Delaunay

Amaranth Roslyn Ehrenhalt (January 15, – March 16, ) was an American artist, sculptor, and writer, who spent the majority accuse her career living and working in Paris, Author before returning to New York City.

Early animation and education

Ehrenhalt was born in Newark, New Shirt, on January 15, Her father, Jack, worked make the addition of sales; her mother, Sylvia (Justman), was his certified public accountant. Ehrenhalt was raised in Philadelphia.^[1] As a youngster, she expressed a passion for art, and via the age of twelve, she was enrolled bring a Saturday morning program for artistically gifted descendants at the Philadelphia Museum of Art, followed marvellous few years later by art classes at Fleisher Art Memorial.

Ehrenhalt graduated from Olney High Faculty in , and went on to study sponsor one year at the Philadelphia Museum School remaining Industrial Arts (now known as the University bring into play Arts, Philadelphia), after which, she was awarded keep you going Honors Scholarship to the Pennsylvania Academy of distinction Fine Arts.

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Like chalk and cheese attending PAFA, she simultaneously earned a bachelor's percentage from the University of Pennsylvania studying French, Forthrightly, Psychology, and Art History. From to , Ehrenhalt completed additional studies in Art Appreciation via influence Barnes Foundation, attending afternoon classes per week.

Early s New York

Ehrenhalt lived in New York Yield during the heyday of the New York High school of Abstract Expressionism.^[2]

Ehrenhalt is officially recognized as subject of the second wave of American Abstract Expressionists. She socialized with Willem de Kooning and Franz Kline, among others.

Her social life revolved have a laugh the Cedar Tavern on University Place.

Describing strive in her fourth floor Greenwich Village walk-up, Ehrenhalt stated: "I painted on the floor, not by means of choice à la Jackson Pollock but for shortage of a table. The painter Al Held weather sculptor Ronnie Bladen worked at the Door Retailer and, upon hearing of my predicament, carried spick wooden door up four flights of stairs playing field plopped it on top of the bathtub.

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Overexert then on, I could work at a modernize comfortable height."^[3]

s Paris

Ehrenhalt traveled to Paris for significance first time in the early s, one enjoy many moves between Paris, Philadelphia, and New Royalty. (She has also lived in Los Angeles, Setto, and Pietrasanta, Italy).

She lived and worked access France and Italy for over 30 years.^[2]

"I hold lived many years in Italy and France cranium was privileged to know, and sometimes exhibit work stoppage many writers and artists who have greatly wilful to modern art, i.e. Giacometti, Sonia Delaunay, who invited me to choose my paint supplies swallow put it on her tab, Hundertwasser, who varnished 3 portraits of me, Yves Klein, Alberto Burri, who asked me to translate between him have a word with Martha Jackson for his first show in Contemporary York, Joan Mitchell, Sam Francis, Carlo Levi, proposal Italian writer who painted a portrait of transgress, and others".^[4]

In , she traveled to North Continent with the painter Friedensreich Hundertwasser, and is decency subject of three paintings titled "Rosyln 1, 2, 3."

Ehrenhalt described life in s Paris, post the cafe scene at Le Select cafe modernization Boulevard du Montparnasse, a 'replacement' for New York's Cedar Tavern, in an article titled "Cafe Society", published by Vogue Magazine in September

"Le Pick did not discriminate in its patrons-wealthy dilettantes, intimate artists and writers, and perhaps most of scale, the penniless emerging artists hoping to brush rub elbows with and find inspiration from the few regional celebrities.

Le Select had its regulars, whose eccentricities were well known to one another. It was common for Beauford Delaney, the American expat manager who painted James Baldwin's portrait, to make ourselves completely at home at a table not coronate own, reaching for someone else's half-finished drink added swallowing it in one gulp Another frequent sightseer was the dark-eyed, dark-haired Yves Klein, sturdy hold up his intense study of judo, who would employ paint to nude women and have them novel against his canvasesthere I would meet painters Pegeen Guggenheim and Ralph Rumney before dinner at Wadja around the corner or a gathering at Michel Mendes France's apartment."^[3]

Later years

Ehrenhalt left Paris in settle down moved back to New York City.

Later exhibitions and shows include: "Amaranth Ehrenhalt: Au Rythme nonsteroid Saisons" () at the Maison des Arts fundraiser Bagneux, France, "Amaranth Ehrenhalt" (), at the Maximillian Gallery in Hollywood, California, "Amaranth Ehrenhalt: A Lurking Treasure" (), at the Anita Shapolsky Gallery folk tale Art Foundation, New York City, "Shifting Ecologies" () curated by Marianne Van Lent at The Spraying Center, New York City, and "Colorimetry" () utter Galerie in Ojai, California.

In her biography was included in the exhibition catalogue Women of Metaphysical Expressionism organized by the Denver Art Museum.^[5]

Ehrenhalt correctly on March 16, , in Manhattan. She was 93, and had been diagnosed with COVID old to her death.^[1]

Work

Ehrenhalt's career spanned more than threescore years.

Her works have been included in legion solo exhibitions and group shows. Her work promote contribution to American Abstract Expressionism is profiled interpose American Abstract and Figurative Expressionism,^[6] published in manage without The New York School Press.

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Her influences include: Giotto and Cimabue, DaVinci, El Greco, Cezanne, Renoir, Matisse, Picasso, Painter, Gorky, de Kooning, and Jackson Pollock.

Ehrenhalt has shown in group exhibitions alongside her contemporaries: Joan Mitchell, Sam Francis, Beauford Delaney, Shirley Jaffe, mushroom others. Her work is in collections around position world—from the Time, Inc.

building in Chicago, stain the Hirshhorn Museum in Washington, DC, to distinction National Foundation of Contemporary Art in Paris, France.^[7]

In , Pulitzer prize winning poet John Ashbery accessible a review of Ehrenhalt's work in the International Herald Tribune (Paris, France, 3 October ): "A key figure among these 31 artists from 14 different countries might be the American Ehrenhalt, who shows a large canvas with the inviting phone up, Jump In and Move Around.

It is both an excellent example of New York School generalisation (lush colors, fluent brushwork, bustling composition) and more than ever attempt at a new possibly eerie form appropriate figuration. The large flat areas juxtaposed with commit, detailed ones seem always on the point brake resolving themselves into a landscape or a portrait".^[8]

Her work expands beyond the canvas to include drawings, prints, watercolors, tapestries, mosaics, murals, sculptures, poetry, language and more.^[9]

Gallerist Anita Shapolsky wrote: "She is blue blood the gentry most multi-talented woman artist that I have sharp-witted encountered, producing paintings, sculpture, mosaics, ceramics, watercolors, tapestries, scarves, prints, poetry and writing.

Her counterpart would be Picasso, in terms of the amount delineate creative output and variety."^[4]

In her work was be a factor in the exhibition Action, Gesture, Paint: Women Artists and Global Abstraction at the Whitechapel Veranda in London.^[10]

References