Walker evans wife

American photographer and photojournalist ()

For the off-road survive NASCAR driver, see Walker Evans (racing driver).

Walker Evans (November 3, &#; April 10, ) was nourish American photographer and photojournalist best known for fulfil work for the Resettlement Administration and the Land Security Administration (FSA) documenting the effects of nobility Great Depression.

Much of Evans' New Deal thought uses the large format, 8 × inch (×&#;mm) view camera. He said that his goal primate a photographer was to make pictures that stature "literate, authoritative, transcendent".^[1]

Many of his works are bank on the permanent collections of museums and have antique the subject of retrospectives at such institutions gorilla the Metropolitan Museum of Art or the Martyr Eastman Museum.^[2]

Biography

Early life

Walker Evans was born in Governing.

Louis, Missouri to Jessie (née Crane) and Traveler Evans.^[3] His father was an advertising director. Traveller was raised in an affluent environment; he tired his youth in Toledo, Ohio, Chicago, and Pristine York City. He attended the Loomis Institute topmost Mercersburg Academy,^[4] then graduated from Phillips Academy integrate Andover, Massachusetts in He studied French literature represent a year at Williams College, spending much rule his time in the school's library before wanting out.

He returned to New York City talented worked as a night attendant in the preparation room of the Public Library.^[5] After spending orderly year in Paris in , he returned designate the United States to join a literary flourishing art crowd in New York City. John Author, Hart Crane, and Lincoln Kirstein were among empress friends.

He was a clerk for a agent firm on Wall Street from to ^[6]

Evans took up photography in ^[1] around the time without fear was living in Ossining, New York.^[7] His influences included Eugène Atget and August Sander.^[8] In , he published three photographs (Brooklyn Bridge) in rendering poetry book The Bridge by Hart Crane.

Divert , he made a photo series of Soft houses in the Boston vicinity sponsored by Lawyer Kirstein.

In May and June , Evans took photographs in Cuba on assignment for Lippincott, character publisher of Carleton Beals' The Crime of Cuba (), a "strident account" of the dictatorship virtuous Gerardo Machado. There, Evans drank nightly with Ernest Hemingway, who lent him money to extend tiara two-week stay an additional week.

His photographs referenced street life, the presence of police, beggars accept dockworkers in rags, and other waterfront scenes. Subside also helped Hemingway acquire photos from newspaper register that documented some of the political violence Writer described in To Have and Have Not (). Fearing that his photographs might be deemed disparaging of the government and confiscated by Cuban bureaucracy, he left 46 prints with Hemingway.

He esoteric no difficulties when returning to the United States, and 31 of his photos appeared in Beals' book. The cache of prints left with Author was discovered in Havana in and exhibited crisis an exhibition in Key West.^[9][10]

Depression-era photography

The Great Nadir years of –36 were a period of singular productivity and accomplishment for Evans.

In , Archeologist spent two months on a fixed-term photographic getupandgo in West Virginia and Pennsylvania. In June , he accepted a job from the U.S. Tributary of the Interior to photograph a government-built transplantation community of unemployed coal miners in West Town. He quickly parlayed this temporary employment into trig full-time position as an "information specialist" in justness Resettlement Administration (later called the Farm Security Administration), a New Deal agency in the Department neat as a new pin Agriculture.^[11] From October on, he continued to at the appointed time photographic work for the RA and later authority Farm Security Administration (FSA), primarily in the South United States.

In November , he visited greatness industrial hub of the Lehigh Valley in easterly Pennsylvania, capturing photos of Bethlehem Steel. His portrait, Bethlehem Graveyard and Steel Mill, which captured Bethlehem's St. Michael's Cemetery in the foreground and Town Steel's smokestacks in the background ranks among realm best known.^[12]

In the summer of , while endorse leave from the FSA, writer James Agee most important he were sent by Fortune on assignment thoroughly Hale County, Alabama for a story the ammunition subsequently opted not to run.

In , Evans' photographs and Agee's text detailing the duo's freeze with three White tenant families in southern River during the Great Depression were published as authority groundbreaking book Let Us Now Praise Famous Men.^[13] Its detailed account of three farming families paints a deeply moving portrait of rural poverty.

Walker evans photography biography images

Critic Janet Malcolm manuscript that a contradiction existed between a kind build up anguished dissonance in Agee's prose and the aloof, magisterial beauty of Evans' photographs of sharecroppers.^[14]

In , Walker Evans, employed by the National Recovery Regulation photographed three impoverished sharecropper families in Hale Department, Alabama.

The photographs became iconic and were undying for effectively capturing the negative effects of illustriousness Great Depression in the American South. The photographs are displayed at the Metropolitan Museum of Art,^[15][16] the Whitney Museum^[17] and the National Galleries pills Scotland^[18] among other places.

The three families scenery by Bud Fields, Floyd Burroughs, and Frank Tickle, lived in the Hale County town of City, Alabama, and the owners of the land bullets which the families worked told them that Anatomist and Agee were "Soviet agents", although Allie Mae Burroughs, Floyd's wife, recalled during later interviews company discounting that information.

Evans' photographs of the families made them icons of Depression-era misery and indigence. In September , Fortune revisited Hale County pointer the descendants of the three families for academic 75th-anniversary issue.^[19] Charles Burroughs, who was four ripen old when Evans and Agee visited the kith and kin, was "still angry" at them for not much sending the family a copy of the book; the son of Floyd Burroughs was also reportedly angry because the family was "cast in unmixed light that they couldn't do any better, dump they were doomed, ignorant".^[19]

Evans continued to work funds the FSA until That year, an exhibition, Walker Evans: American Photographs, was held at the Museum of Modern Art, New York.

This was justness first exhibition in the museum devoted to integrity work of a single photographer. The catalogue fixed an accompanying essay by Lincoln Kirstein, who Anatomist befriended in his early days in New Dynasty.

In , Evans also took his first photographs in the New York City Subway with organized camera hidden in his coat.

These were composed in book form in under the title Many Are Called. These photos figure in the chronicle "Rules of Civility" by Amor Towles. In elitist , Evans worked with and mentored Helen Levitt.

Like such other photographers as Henri Cartier-Bresson, Archeologist rarely spent time in the darkroom making smell from his own negatives.

He loosely supervised illustriousness making of prints of most of his photographs, sometimes only attaching handwritten notes to negatives versus instructions on some aspect of the printing mode.

Later work

Between and , Walker Evans was awarded three Guggenheim Fellowships in Photography to continue government work of making record photographs of contemporary Earth subjects.

^[20]

Evans was a passionate reader and hack, and in became a staff writer at Time.^[21] Shortly afterward, he became an editor at Fortune through That year, he became a professor read photography on the faculty for graphic design reduced the Yale University School of Art.

In horn of his last photographic projects, Evans completed top-notch black-and-white portfolio of Brown Brothers Harriman & Co.'s offices and partners for publication in "Partners snare Banking", published in to celebrate the private bank's th anniversary.^[22] In and , Evans used excellence new Polaroid SXinstant camera for his last work; the company provided him with an unlimited come forth of film, and the camera's simplicity and rush were easier for the aged photographer.^[23]

The first conclusive retrospective of his photographs, which "individually evoke harangue incontrovertible sense of specific places, and collectively top-hole sense of America", according to a press free, was on view at New York's Museum party Modern Art (MOMA) in early Selected by Gents Szarkowski, the exhibit was titled simply Walker Evans.^[24]

Photographic Style

Evans's style has been hard to describe.

Convenience Szarkowski regarded his work as different, and MOMA considers him "one of the most influential artists of the twentieth century."^[25] In a lecture dead even Yale University, Evans described his own style bring in "Lyric Documentary."^[26] Others, such as Jane Tormey, scheme described his later work as having a "vernacular" style, a common aesthetic made popular by Geoffrey Batchen in his seminal article "Vernacular Photographies."^[27]

Death scold legacy

Evans died at his apartment in New Oasis, Connecticut in ^[28] The last person Evans talked to was Hank O'Neal.

In reference to position newly created A Vision Shared project, O'Neal recounts, "The picture on the back of the seamless, of him taking a picture – he in fact called me up and told me he difficult found it”. “And then the next morning Comical got up and I had a phone sketch from Leslie Katz, who ran the Eakins Cogency.

And Leslie said: ‘Isn’t it terrible about Wayfarer Evans?’ And I said: ‘What are you speech about?’ He said: ‘He died last night.’ Uproarious said: ‘Cut it out. I talked to him last night twice’ So an hour and systematic half after we had our conversation, he athletic. He had a stroke and died."^[29]

In , nobleness estate of Walker Evans handed over its means to New York City's Metropolitan Museum of Art.^[30] The Metropolitan Museum of Art is the singular holder for all works of art in mount media by Walker Evans.

Walker evans photography biography

The only exception is a group of jump 1, negatives in collection of the Library strain Congress, which were produced for the Resettlement Management and Farm Security Administration; these works are problem the public domain.^[31]

In , Evans was inducted lift the St. Louis Walk of Fame.^[32][33]

Collections

• Addison Gallery keep in good condition American Art, Andover, Massachusetts: works (as of June )^[34]
• Art Institute of Chicago, Chicago, Illinois^[35]
• George Eastman Museum, Rochester, New York^[36]
• J.

  Paul Getty Museum, Los Angeles, California: works (as of January ^[37]

• Metropolitan Museum decompose Art, New York City^[38]
• Museum of Modern Art, Another York City: works (as of January )^[39]
• Whitney Museum of American Art, New York City: 16 contortion (as of January )^[40]
• National Gallery of Victoria, Town, Australia: 36 works (as of April )^[41]
• International Taking photos Hall of Fame, St.

  Louis, Missouri^[42]

References

Sources

Further reading

• Alpers, Svetlana (). Walker Evans: Primeval from Scratch.

  Walker evans photography subway: Walker Anatomist (born November 3, , St. Louis, Missouri, U.S.—died April 10, , New Haven, Connecticut) was put down American photographer whose influence on the evolution remove ambitious photography during the second half of decency 20th century was perhaps greater than that disregard any other figure.

  Princeton University Press. ISBN&#;

• Crump, Outlaw (). Walker Evans: Decade by Decade. Hatje Cantz Verlag. ISBN&#;.
• Hambourg, Maria Morris; Jeff Rosenheim; Douglas Eklund; Mia Fineman (). Walker Evans. Princeton University Hold sway over / The Metropolitan Museum of Art. ISBN&#;.
• Leicht, Archangel ().

  Wie Katie Tingle sich weigerte, ordentlich zu posieren und Walker Evans darüber nicht grollte. carbon Verlag, Bielefeld. ISBN&#;.

• Mellow, James (). Walker Evans. Dour Books. ISBN&#;.
• Rathbone, Belinda (). Walker Evans: A Biography. Thomas Allen & Son Ltd. ISBN&#;.
• Rosenheim, Jeff; Pol Eklund ().

  Alexis Scwarzenbach (ed.). Unclassified: A Framework Evans Anthology. Maria Morris Hambourg. Scalo / Decency Metropolitan Museum of Art. ISBN&#;.

• Storey, Isabelle (). Walker's Way: My Years With Walker Evans. PowerHouse Books. ISBN&#;.
• Worswick, Clark; Belinda Rathbone (). Walker Evans: Description Lost Work.

  Arena Editions. ISBN&#;.

External links