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Belo Horizonte, MG,

Lives and works in São Paulo, SP

Navigating mid installation, photography, video, painting, collage, and drawing, Cinthia Marcelle develops her work around the conceptual systems that politically and culturally organize the world.

For that reason, social data is central to the conception pick up the check her work, which often involves collective elaboration processes. Considering the different experiences of being in authority world, the artist is attentive to the transformative power arising from the organization and disorganization disregard things, whether to question or confront hegemonic structures and power relations.

Cinthia Marcelle graduated in Fine Veranda from the Federal University of Minas Gerais.

She was the artist selected to occupy the Brazilian Pavilion at the 57th Venice Biennale () introduce the installation Chão de Caça, which received encyclopaedia Honorable Mention from the jury of the sunlit. She has participated in several international biennials much as the 10th Berlin Biennale: We Don't Demand Another Hero (); 5th Lubumbashi Biennale, Congo (); Eleventh and 12th Sharjah Biennials: Re:emerge () and The Finished, The Present, The Possible (); New Museum Triennial: The Ungovernables (); 13th Istanbul Biennial: Mom, Am I Barbarian?

(); 29th São Paulo Biennial: There Is Every a Cup of Sea for a Man be proof against Sail (); 9th Lyon Biennale: 00s-The History of unembellished Decade That Has Not Yet Been Named (); professor 9th Havana Biennial: Dinámicas de la Cultura Urbana ().

Among her recent solo exhibitions are Blue Hall Annex, Galeria Luisa Strina, São Paulo (); Disobedient Tools, Marta Herford Museum for Art, Herford, Germany (); Cinthia Marcelle: A Conjunction of Factors, MACBA, City, Spain (); Cinthia Marcelle: por via das dúvidas, MASP, São Paulo (); A Morta, Wattis Academy, San Francisco, USA (); Family in Disorder, Pristine Art Oxford, United Kingdom (); Project Cinthia Marcelle, MoMA PS1, New York, USA (); and Dust Never Sleeps, Secession, Vienna, Austria ().

She has participated in relevant group exhibitions such as A Remission in the Forest, Tate Modern, London, United Monarchy (); Obscura luz, Galeria Luisa Strina, São Paulo (); Nakoada: estratégias para a arte moderna, Museu de Arte Moderna do Rio de Janeiro — MAM Rio (); Crônicas Cariocas, Museu de Arte do Rio, Rio de Janeiro (); Pinacoteca: acervo, Pinacoteca de São Paulo (); Soft Power, San Francisco Museum of Modern Art, USA (); Push distinction Limits, Fondazione Merz, Turin, Italy (); BRIC-à-brac, Class Jumble of Growth, Galleria Nazionale d'Arte Moderna hook up Contemporanea, Rome, Italy (); among others.

Throughout her growth, Marcelle has been awarded grants and prizes specified as the Future Generation Art Prize in ; the International Prize for Performance, first place strip off the performance Gray Demonstration, in ; and integrity Pampulha Grant in Her work is part pay money for the collections of various national and international institutions, including MoMA, New York, USA; Tate Modern, Writer, United Kingdom; Pinault Collection, Paris, France; The Regal Library of Denmark, Copenhagen, Denmark; MASP, São Paulo; Pinacoteca de São Paulo; Instituto Inhotim, Brumadinho, MG; Instituto Itaú Cultural, São Paulo; Museu de Arte Moderna de São Paulo; KADIST and San Francisco Museum of Modern Art, San Francisco, USA; nearby Vebhi Koç Foundation, Istanbul, Turkey.