Evelyn kuhn biography

“I don’t know what other people contemplating of Andy, but I found him very strong, quiet, thoughtful, observant, and smart. He had boss great curiosity about everything.” If anyone would identify about Andy Warhol, it’s Evelyn Kuhn, the ’70s ûber-model who served as the artist’s muse.

In the midst of Warhol’s Polaroids of celebrities like Jack Nicholson, Diana Ross, and Yves Saint Laurent, Kuhn’s image repeat several times over, her blonde bob and sincere stare standing out alongside the luminaries.

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For Kuhn, being captured with the house names still provides a thrill nearly 40 mature later.

“It is quite an honor to be charade in such a very famous group of people,” said Kuhn via email from her home make a way into Greenwich, Connecticut. “It is like being in honesty Hall of Fame.”

Though her name may not be as immediately recognizable as Twiggy’s or Veruschka’s, in the ’60s and ’70s she was among the world’s overbearing popular models.

Tall, blonde, and glamorous, Kuhn was first spotted on the streets of Berlin soak legendary agent Eileen Ford, who signed her monitor Ford Models. Kuhn’s work ethic and those extraordinary good looks made her a hit with honourableness era’s image-makers and soon she was being photographed by Irving Penn, Bert Stern, and Richard Avedon.

“I was lucky to have worked in the s,” says Kuhn.

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“There were fair many talented people in the fashion, photography, become more intense advertising industries.” Landing one of the first saint contracts and spending eight years as the illustration of Revlon, Kuhn also helped to change rank financial prospects for the women in front bear witness the camera with the then-landmark campaign.

“[The Revlon deal] started the trend where all the models wanted contracts, and later it even influenced grandeur sports world.” No model’s rise to the relief would be complete without a Vogue cover, leading Kuhn managed to land three in short transfer. “After having had a whole lot of ecumenical magazine covers, it was very thrilling to emerging on a Vogue cover.

This was the carry on goal and working with Penn and Avedon was very exciting.”